Thursday, January 8, 2009

Film Review - "Ichi the Killer" (2001)


Ichi the Killer
2001
Takashi Miike

This movie is completely impossible to classify to any genre through any traditional manner. It has elements of horror, dark comedy, drama, thriller, and romance (and romantic comedy)… Oh, did I mention that the movie is about the yakuza, sadomasochism, and brutal vigilante torture/murder? It’s absolutely absurd, and that’s the way I like it.
The plot is that somebody killed a yakuza boss and took his money, and his masochistic right-hand-man/lover, Kakihara, takes over and begins an arduous and lengthy search for his master’s killer. Meanwhile, elsewhere in Japan, a vigilante deals out justice for victims of rape and violence… Unfortunately, he’s so unbelievably unstable, sadistic, and mentally dysfunctional, he usually ends up raping and/or mutilating the victim (and not necessarily in that order) as well as their attacker. Kakihara catches wind of this, and, having become lonely since there’s nobody around who can ‘hurt me like the boss could’, seeks out this mysterious sadist in hopes of, essentially, finding love.
Everything in this movie is so over-the-top… The gore is about as messy as I’ve seen it get, but in a very silly way reminiscent of Dead-Alive. Over-the-top comic book gore is a characteristic of several of Takashi Miike’s films, but even this is pushing it. There are all kinds of unsavory and absolutely grotesque activities going on here, but that’s what makes the ‘romantic comedy’ aspect even more amusing. There’s some really, really disturbing stuff in here that even got to me (such as the whole scene where Kakihara took out his ‘cheek-rings’… That freaked me right the hell out), and then some stuff that’s dark and freaky as hell but hilarious (like a particularly hilarious scene where, to make amends for torturing an innocent person, Kakihara immediately takes out a pocket knife, cuts off about a fourth of his own tongue, drops it in a jar of formaldehyde, and presents it to the victim – all while they’re staring in shock. Then, his cell phone rings, and he answers it, tongue mutilated and bleeding everywhere. The person on the other end asks why he sounds so weird, and, deadpan, he lisps, ‘I cut my tongue out’).
In the end, this is a hideous yet beautiful tale that cannot be missed by anybody who has a strong stomach and is looking for something unique… It’s an essential Miike film, and one of the most unique movies out there.

RATING: 8.5/10

Film Review - "Conspirators of Pleasure" (1996)


Conspirators of Pleasure
1996
Jan Svankmajer

This is a fucked up movie, and Svankmajer is a sick puppy. If you know the stuff I expose myself to on a regular basis, you would know that this means a lot coming from me. But anyway…
Conspirators of Pleasure is a dark comedy from renowned experimental Czech animator, Jan Svankmajer. It’s an ensemble film about a bunch of sleazy motherfuckers who, rather than simply going and getting laid (as it is shown in the film that each one wants the other), go through extremely elaborate, almost Rube Goldbergian masturbation techniques… And that’s the movie. Oh, and did I mention that there’s not one word of dialogue? Yeah. That’s pretty much par for the course for a Svankmajer film, isn’t it? And, as is also usual for this guy’s works, there’s a lot of disturbing stop-motion and Lynchian mindfuck surrealism.
Let’s go through the characters, shall we? We’ve got a swingin’ bachelor (*cough*sleazeball*cough*) who spends the majority of the film constructing a giant papier-mâché chicken mask and a pair of wings, which he takes out into the woods and wears as he terrorizes a stuffed dummy made to resemble his neighbor. Then there’s the neighbor, a sultry older woman who takes a stuffed dummy of the bachelor out to a hidden altar, performs a black magic ritual to bring it to life, and then spends the day raping him, beating him, and engaging in all kinds of brutal acts of domination against his will, before killing him. Then there’s the creepy older guy, who apparently enjoys soft things, and thus goes about making some makeshift massage toys (I found this to be the least compelling character, and due to the lack of dialogue, I spent half the movie thinking he was building a set of prosthetic breasts to wear). Then there’s his neighbor, a TV news reporter who is turned on by having her feet submerged in a tub and nibbled by fish, all while she’s on the air reporting. Then there’s the shopkeeper, a Danny Devito-esque man who has a massive hard-on for the reporter lady, and his current project is to build a multi-armed robot to massage him and jerk him off at the same time while he watches his favorite news program. And, finally, there’s the cutest postal worker in Czechoslovakia, and her poison is rolling bread up into tiny little balls and then snorting them up her nose through a rubber hose (and at one point, sticking a funnel into her ear and pouring a bunch of them in there as well). I am dead serious; you can’t make up shit like this.
I was apprehensive about watching a 90-minute film with absolutely no dialogue, but I found these feelings disappearing within minutes once I actually started watching the movie. There are all kinds of bizarre, surreal bits of humor, and several laugh-out-loud moments. Also, you’ve really got to hand it to the actors, considering that they do such a phenomenal job expressing their respective character’s personality, motivations, and so on without ever opening their mouths to speak – you barely even notice that nobody talks in the whole movie. The body language is just that good.
There is some brilliant satire, and the subject matter, like it or not, is universal – everybody’s been there at some point in their lives (though in most cases not to the same extremes as the colorful characters in this film). The stop-motion is awesome… It’s creepy, hilarious, and everything else you could want from it – after all, were are but humans, and sometimes, there are just no greater pleasures in life than to witness a cheaply-animated man with a giant chicken mask and a cape sliding across the ground in a static pose at high speed while orchestra plays.
This film is definitely not for everyone. If you’re not paying attention, it can be confusing, and even if you are, it’s full of David Lynch and Alejandro Jodorowsky-style abstract storytelling, which can be extremely off-putting for some. If you’re feeling very experimental (ha-ha) and open-minded for a wild new experience (hee-hee), check this out. It’s a great little gem.

RATING: 8.5/10

Saturday, January 3, 2009

St. Bastard - "You're Too Negative"

I mentioned a while back that I'd post the bit of music I made when I finished. I never got around to posting it, so here it is, as if anyone cares (or is reading this). It's meant as a reflection into my mind, or even just a general commentary on depression itself (though I can only speak for myself.) It's random, noisy, dark, scary, headache-inducing, and unfocused - me in a nutshell. Just be aware of that when listening, that it's not like a traditional song that I'd 'perform' or anything, as it's all recorded separately and/or synthesized from thin air by my 1337 production skillz.

All vocals, guitars, synthesizers, production, and *most* samples (ambiences n' shit) are by me.

There are some sound clips taken from South Park, A Clockwork Orange, Heavy Metal, Pee-Wee's Big Adventure, and the Nine Inch Nails song "Suck". Just giving credit where it's due, so there won't be cause to sue (that rhymed!)

The name of the 'band' is St. Bastard, and the name of the track is "You're Too Negative". I'm probably going to use the St. Bastard moniker for similar, noise-based projects in the future, and use a different name for more traditional songs and stuff.

Here's a safe MegaUpload link, because I'm such a noob at getting music on the intertubes in other ways.

http://www.megaupload.com/?d=8VS5KG8P